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Things Can Only Get Better

from Moth Eaten Romeo by Luke Fraser

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lyrics

I love you like a wasted morning, like a bus never came,
I love you like a sweet-spot tickle, like an itch in my brain,
I love you over and over again like a Beatles refrain,
I’m sentimental that way.

I love you like a broken zipper; you keep me together,
I love you like a nuclear winter; you’re cool forever,
I love you for worse daily but sometimes for better,
Things can only get better,
I’m the hare, you're the feathers.

And I don’t wanna let this go,
[We ain’t talkin’, honey we ain’t talkin’]
Though we’re moving so so slow,
[Now you’re walkin’, honey are you walkin’?]
I just thought I’d let you know,
[We ain’t talkin’, honey we ain’t talkin’]
That I’m only leaving you if you’re leaving me.

I love you like a second helping; you go straight for my hips,
I love you like a menthol cigarette; you live on my lips,
I love you like a sit-com lover; you’re too fun to ship,
You’re too hard to quit,
And I’m not over this.

Cos’ I don’t wanna let this go,
[We ain’t talkin’, honey we ain’t talkin’]
Even though we’re moving way too slow,
[Now you’re walkin’, honey are you walkin’?]
I just thought I’d let you know,
[We ain’t talkin’, honey we ain’t talkin’]
That I’m only leaving you if you’re leaving me.

I love you like a wasted morning, like a bus never came,
I love you like a sweet-spot tickle, like an itch in my brain,
I love you over and over and over and over and over again,
And I’m only leaving you if you’re leaving me.

I love you like a wasted morning, like a bus never came,
I love you like a sweet-spot tickle, like an itch in my brain,
I love you over and over and over and over and over again…

credits

from Moth Eaten Romeo, released October 28, 2022
Luke Fraser: Vocals, Guitars, Bass, Banjo, Synthesizers, Glockenspiel, Percussion
Phil Joyce: Drums

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Luke Fraser London, UK

The new solo project of musician Luke Fraser, floating through time and genre while anchored to the ground by honest, intimate and at times scathing lyricism. Having written and recorded in attics in Kent, old factories in London, and spaces in between, Luke’s aim is to create a sound world tied to the past, but not trapped within it. ... more

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